Sculpture
In 2008 I spent the summer teaching jewelry-making lessons to women in rural communities near Quetzaltenango, Guatemala and helping them create a line of fair trade jewelry that is now sold in the U.S. My memories of that experience inform this series of small sculpture and jewelry.
I am interested in highlighting the overlooked beauty of urban Guatemala. All the gritty, rusted, and stubborn signs of humanity that get overlooked by the tourist and taken for granted by the resident are my curiosities. Imagery of infrastructure and sprawl convey connections between people and their constructed environment as well as connections between neighbors and strangers. Even though there are no inhabitants in my constructed scenes, their presence is suggested by the structures necessary for their implied reality. I find the city beautiful for its residents and the way they shape my memory. In this way I hope to celebrate the places I loved, the people I respected, and the experiences I will never forget.
I am interested in highlighting the overlooked beauty of urban Guatemala. All the gritty, rusted, and stubborn signs of humanity that get overlooked by the tourist and taken for granted by the resident are my curiosities. Imagery of infrastructure and sprawl convey connections between people and their constructed environment as well as connections between neighbors and strangers. Even though there are no inhabitants in my constructed scenes, their presence is suggested by the structures necessary for their implied reality. I find the city beautiful for its residents and the way they shape my memory. In this way I hope to celebrate the places I loved, the people I respected, and the experiences I will never forget.